P\u00e9rez Perell\u00f3 musicaliza poes\u00eda \u00e1rabe del siglo X en su D\u00e9nia natal<\/a><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto CD” _builder_version=”4.17.6″ header_2_line_height=”1.3em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
\u201c\u201cEL COLLAR DE LA COLOMA\u201d Ibn Hazn C\u00f2rdova (994-1064). 2022<\/h2>\n
El Collar de la coloma, is a book about the essence of love in Andalusia during the Umayyad dynasty, original by the Arab writer Ibn Hzam, born in C\u00f3rdoba in 994, the work is written in the city \u200b\u200bof X\u00e0tiva a thousand years ago. We have built our work on the conviction that music and the spoken word will make us travel a thousand years back, if the feeling is contextualized, and the art of the 21st century seeks in the art of the 11th century confluence and reason for being, discovering, once again, that poetry was born to be said aloud and if it is wrapped in music, then it is unique and unrepeatable essence, like the verses of Ib Hzam that our group has stripped of anything else. that was not the beauty and the truth, using the experience in the composition and musical interpretation and the rhapsody that contributes each professional of the formation, individually, and that altogether offers the result of a sober and elegant spectacle of music and poetry .<\/p>\n
[\/et_pb_text][et_pb_button button_url=”https:\/\/open.spotify.com\/album\/1BaTIC1ap0Hi6TCRfDBg73?si=FiDnVhgHQEKHoJUSDAH5VQ” url_new_window=”on” button_text=” Access to the Spotify music list” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_button][et_pb_button button_url=”https:\/\/miquelperez.com\/wp-content\/uploads\/2026\/04\/Dossier-Collar-de-la-Coloma-ok.pdf_compressed.pdf” url_new_window=”on” button_text=”Hiring and reservation. File in .pdf format” _builder_version=”4.27.6″ _module_preset=”default” custom_button=”on” button_text_size=”17px” button_text_color=”#ffffff” button_bg_color=”#e09900″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][et_pb_button button_url=”https:\/\/www.amazon.com\/music\/player\/albums\/B0B4DYD81L” url_new_window=”on” button_text=”Access to track and record purchase in Amazon” _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_button][et_pb_text admin_label=”lista de temas” _builder_version=”4.16″ text_text_color=”#ffffff” background_color=”#d9922c” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”10px|10px|10px|10px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
CR\u00c9DITO<\/strong><\/p>\n\n- \n
\n- Era el temps .<\/strong> (M\u00fasica: Moaxaja andalus\u00ed. Segle XIV. Adaptaci\u00f3: Miquel P\u00e9rez)<\/li>\n
- Soc ramader d\u2019estels.<\/strong> (M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- A la fi tots dos<\/strong>. (M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- Els n\u00favols han apr\u00e9s. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- No ve d\u2019una hora el gran amor. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- Ara vull recordar el seu amor. <\/strong>(M\u00fasica: Pastor de gacelas \/ Ya rai, moaxaja andalus\u00ed de Alepo, Siria. Adaptaci\u00f3: Maria Moreno)<\/li>\n
- La teua carta amor meu. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- La coloma de la pau i de l\u2019amor. <\/strong>(M\u00fasica: Moaxaja andalus\u00ed. Segle XIV. Adaptaci\u00f3: Miquel P\u00e9rez)<\/li>\n
- Tothom sap que estic enamorat. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- M\u2019has robat el cor. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- No tractes amb lleugeresa.<\/strong> (M\u00fasica: Tambourin de la Sonata op. 2 n\u00ba 1 “La Baussan” de Philbert de Lavigne. Adaptaci\u00f3: Maria Moreno)<\/li>\n
- Jo voldria amb esmolat coltell. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- El jardi m\u2019acull de matinada. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- No podr\u00e9 mai saber. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- <\/strong>El meu amor s\u2019engrosa. <\/strong>K\u00e2tibim T\u00fcrk\u00fcs\u00fc M\u00fasica: \u00dcsk\u00fcdar’ a Gider\u0130ken) Popular turca. Adaptaci\u00f3: Maria Moreno i Miquel P\u00e9rez)<\/li>\n
- Ets lluny i vivim el mateix temps<\/strong>. (M\u00fasica: \u201cLa meua xiqueta es l\u2019ama \u201dCan\u00e7\u00f3 de bressol popular valenciana. Adaptaci\u00f3: Miquel P\u00e9rez)<\/li>\n
- Plor\u00e0vem l\u2019imminent comiat. <\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- El seu consell l\u2019assentiment o reflexi\u00f3.<\/strong> (M\u00fasica: Maria Moreno)<\/li>\n
- <\/strong>Celat per la mort. <\/strong>(Veu sola)<\/li>\n
- Celat per la mort (can\u00e7\u00f3).<\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n
- No vull la disfressa de la v\u00edctima.<\/strong>(M\u00fasica: Miquel P\u00e9rez Perell\u00f3)<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n
[\/et_pb_text][et_pb_text admin_label=”lista de temas” _builder_version=”4.16″ text_text_color=”#ffffff” background_color=”#d9922c” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”10px|10px|10px|10px” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
Maria Moreno: Flauta, clarinet i veu<\/strong><\/p>\nDiego L\u00f3pez: Percussi\u00f3 mediterr\u00e1nea<\/strong><\/p>\nGuitarra, lla\u00fct i veu: Miquel P\u00e9rez Perell\u00f3<\/strong><\/p>\nHarm\u00f2nica en *No vull la disfresa: Carlos Sanch\u00eds<\/strong><\/p>\nBaix el\u00e8ctric en *Celat per la mort: Carlos Maeso<\/strong><\/p>\nMescla i masteritzaci\u00f3: TahirDurkalic<\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Fila” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/miquelperez.com\/wp-content\/uploads\/2022\/07\/Miquel-perez-EL-COLLAR-DE-LA-COLOMA-3.jpg” title_text=”Miquel-perez-EL-COLLAR-DE-LA-COLOMA-3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/miquelperez.com\/wp-content\/uploads\/2022\/07\/Miquel-perez-EL-COLLAR-DE-LA-COLOMA-4.jpg” title_text=”Miquel-perez-EL-COLLAR-DE-LA-COLOMA-4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” admin_label=”Secci\u00f3n” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_fullwidth_header title=”Discograf\u00eda” content_max_width=”none” title_font_color=”#ffffff” admin_label=”T\u00edtulo discografia” _builder_version=”4.16″ title_text_color=”#ffffff” background_layout=”light” custom_css_main_element=”padding:10px 0;” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][et_pb_fullwidth_portfolio include_categories=”39,41,40,38″ show_date=”off” admin_label=”Carrusel discografia” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” auto=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”][\/et_pb_fullwidth_portfolio][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
El Collar de la Coloma is a book about the essence of love for \u00c0ndalus during the Omeian dynasty, original by the Arab writer Ib Hzam,<\/p>\n","protected":false},"author":1,"featured_media":8610,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"project_category":[433,432,104,103],"project_tag":[],"class_list":["post-5020","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-music-and-literature","project_category-musica-i-literatura","project_category-own-projects","project_category-projectes-de-creacio-propia"],"_links":{"self":[{"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/project\/5020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/comments?post=5020"}],"version-history":[{"count":1,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/project\/5020\/revisions"}],"predecessor-version":[{"id":8847,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/project\/5020\/revisions\/8847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/media\/8610"}],"wp:attachment":[{"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/media?parent=5020"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/project_category?post=5020"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/miquelperez.com\/en\/wp-json\/wp\/v2\/project_tag?post=5020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}